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Tuesday, October 15, 2019

The Kids Are Alright, But What About The Producers

With 20 producers credited, The Kids Are Alright is poised to be this year's annual Academy Award controversy over who gets the Oscar.

Chinese Film Funds: A Cookie Without A Fortune

It seems you don’t have to swing a dead cat very far to find a project that has Chinese money attached. What’s the lowdown on this foreign dough and is it for real?

Top 10 Most Pirated Movies on BitTorrent

Transformers 3 continues to top the chart for the second consecutive week, while Mr. Popper's Penguins and Screwed both make their debuts.

Consumer Laundering – Piracy’s Silver Lining Unfolds

Operators of online piracy websites should take note, they're sitting on the next media gold rush: Consumer Laundering, or, Scrubbing Your Subscribers.

Review: Future of Film Summit

Variety and Digital Media Wire held their Future of Film Summit -- this year's agenda: Dealmaking in the Age of Digital Cinema...but only if it's in 3D.

Netflix Can’t Sustain Premium Content

Netflix is being called to task on their streaming business model and their low-ball quest for in-season television series. Could stepping out from behind the first sale doctrine and their business method patents be their undoing?

But Dad, I Hate 3D!

I was surprised to learn over the holiday weekend that my younger cousins (under 10 years of age) overall hated to see movies in 3D, as opposed to 2D.

Top 10 Most Pirated Movies on BitTorrent

Pirated Blu-Ray/DVD’s for Captain America: The First Avenger, Cars 2, Kung Fu Panda 2, and Crazy Stupid Love all entered the illicit Top 10 this week — as did...

YouTube Makes First Move Toward Original Content

In the highly competitive world of subscription VOD providers, YouTube has just moved the world closer to my prediction that Netflix will soon be producing original content.

So How Much Should You Allocate to the Producer of Marketing & Distribution?

A producer recently inquired as to how much she should allocate to the producer of marketing and distribution (PMD), in her film's budget.Seriously? Another producer title?!While initially dismissive of that concept, I've actually come to terms with the viability and necessity of such a role, given the inability of most independent films to acquire distribution in the United States, which is mostly due to:

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