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Thursday, May 16, 2019

Technology Good News & Bad News for Indie Films

There's good news and bad news about technology for independent filmmakers. It's cheaper and easier to make a film: anyone can make a movie with a low-price camera and a laptop. But the bad news is, independent films are competing for distribution and exhibition screens with big budget studio movies - and those movies are benefiting from some pretty nifty technology, too. Is there still room at the multiplex for the personal storytelling and character-driven drama of indie film?

Top 10 Most Pirated Movies on BitTorrent

Transformers 3 continues to top the chart for the second consecutive week, while Mr. Popper's Penguins and Screwed both make their debuts.

2010 Toronto Film Festival: Part 1

I'm heading to the Toronto International Film Festival, which kicks-off this week and marks the one-year anniversary of the credit crunch and market collapse that left the streets of last year's festival strewn with the bodies of dead deals.

So How Much Should You Allocate to the Producer of Marketing & Distribution?

A producer recently inquired as to how much she should allocate to the producer of marketing and distribution (PMD), in her film's budget.Seriously? Another producer title?!While initially dismissive of that concept, I've actually come to terms with the viability and necessity of such a role, given the inability of most independent films to acquire distribution in the United States, which is mostly due to:

Top 10 Most Pirated Movies on BitTorrent 03-26-12

A Theatrical Screener (TS) copy being propelled into the Top 10 could bode well for 21 Jump Street's marketing team...

2010 Toronto Film Festival: Part 2

The Toronto Dutch Auction has picked up some steam, but it's going to take at least another AFM to clear out the supergap glut...

AFM Announces Barred Companies and Individuals

The American Film Market kicks-off today in Santa Monica and amidst all the parties and hoopla there is one list more exclusive than all others...

Note: Oscars Don’t Finance Films

Why are Kathryn Bigelow & Mark Boal, the Oscar wining director & writer of The Hurt Locker, having to leak their pitch to the press to drum up financial support?

Be Warned – What 2011 Means for Filmmakers

The mantra for surviving 2011 and 2012 will be to swing for singles and doubles, not for fences. If you really know what your doing, then it's a great time to enter the film market. But if you don't...

Review: Future of Film Summit

Variety and Digital Media Wire held their Future of Film Summit -- this year's agenda: Dealmaking in the Age of Digital Cinema...but only if it's in 3D.

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